Maud Hixson Presents: The Cole Effect - A Tribute to Cole Porter - The Dunsmore Room at Crooners6161 Hwy 65 NE Minneapolis,MN
07/18/2017 7:00 PM - 07/18/2017 9:00 PM
Hailed as “gently virtuosic” (All About Jazz), Maud Hixson is a devoted exponent of great songs, ranging from the classic Great American Songbook to the often unsung or forgotten compositions awaiting rediscovery.
Based in Saint Paul, Minnesota, Maud is the co-founder of the continental jazz sextet French 75 with clarinetist Tony Balluff. She made her Guthrie Theater debut in the Noel Coward revue Coward’s Women, and teamed with Sir Richard Rodney Bennett in 2012 for the long-running Midtown at Midday concert series at Saint Peter’s in Manhattan.
Maud is the recipient of three Artist Initiative Grants from the Minnesota State Arts Board, one of which supported the research for her album “Don’t Let A Good Thing Get Away”, comprised of compositions by Broadway composer Michael (Mickey) Leonard. Featuring Tex Arnold, Steve LaSpina, Warren Vaché and Gene Bertoncini, it was recorded at Nola Studios in Steinway Hall, NYC in 2013. Musician and historian Michael Feinstein observed: “Her vocal style is so warm, compelling and intimate—it’s clear she cares about the words and telling the story, with clarity and without artifice—almost a lost art these days.”
Maud debuted her newest show, Skyscraper Wits, in London and New York in 2015, and released her latest recording, “Listening For Your Song”, in 2016, which features music from the pre-Songbook era. Maud received a Next Step Grant from the McKnight Foundation in 2015 and her most recent Artist Initiative Grant will fund a big band project in 2017. She made her second appearance at Rose Theater at Jazz at Lincoln Center in October in a tribute to singer Sylvia Syms, hosted by Rex Reed and presented by the Mabel Mercer Foundation. In December, Maud made her Park Square Theater debut in The Soul Of Gershwin.
Rick Carlson taught himself to play the piano by studying the vast works of Count Basie and Duke Ellington and capitalizing on a long string of happy accidents. He has also perfected the art of “circular drinking”, whereby he can sip martinis uninterrupted while still playing a cohesive piano solo.
He has been the pianist for the Wolverines Big Band since 1980. He is a sought-after accompanist by singers and has served as pianist and musical director for various local concert series, including those for the Twin Cities Jazz Society’s “J To Z” series, the Capri Theater’s “Legends” series, and for special presentations at the Heights Theatre and performing arts centers across the United States. He has performed on concert stages in London and New York City, and has appeared with Count Basie drummer Butch Miles, trumpeter Warren Vaché, New Orleans clarinetist Evan Christopher, and served as musical director, arranger and pianist in the Guthrie Theater’s presentation of “Coward’s Women”. He has opened for Rosemary Clooney, accompanied Kathryn Crosby in various cabaret shows, and counts Madeleine Peyroux among his many unwitting fans.